We fiction writers create because we must; to do otherwise causes many to feel unfulfilled, and in some cases, downright depressed. Such is the way of it.
When not creating characters and worlds, another part of the profession is research, whether it be learning about concepts necessary to the plot, how things work and function, or reading other writers in order to learn more about the craft.
Hard truths await the growing writer, and one of those uncomfortable realizations is how little fiction is bought and published; this fact translates into the daunting odds stacked against the new writer, especially budding novelists.
Being a realist, I understand the steep road we must journey to reach the mountain of success—success in this case defined as having our writing bought and published.
80% of all conventionally published books are non-fiction: news/current events, sports, memoirs, biographies and autobiographies, How-To and Self-help (perhaps the largest types of NF books), history, and all else deemed true.
Of the 20% of books published that are fiction, about half falls into the Romance genre. In her book, Characters, Emotions, and Viewpoints, Nancy Kress claims Romance accounts for 55% of all novels published, which leaves less than 10% for all other genres: mystery/thriller, Speculative (science fiction, fantasy, and horror), historical (historical romances are already accounted for within romance genre), western, and any other you can think of, including literary and mainstream.
The data is a bit sporadic and convoluted, but the best info I have found is that in the U.S., approximately 300,000 books are published annually, worldwide about 2 million.
An estimate of manuscripts received by agents and publishers easily ranges in the several million. Whew! A lot of competition out there and not much room to squeeze your completed novel past the slush pile. I am offering a distinction between novels produced by publishing houses and all else; the all else is not included in the numbers—the self-published (also known as Vanity Press) uploaded to Kindle or Amazon or any of the many venues available.
The debate of whether to self-publish will have to wait for another post.
What is a struggling writer to do? Write. Learn. Write more. After all, writing is what we must do to retain our sanity. Send stories into the world. Wait. Battle the gloom cast by rejections. Send the stories to others. Repeat.
There you have it: the reality of the new writer. There are no shortcuts unless you are lucky enough to have an uncle that is a writer (and you get along) who introduces you to a professional editor or agent who may be able to help you with your career. Most of us do not.
It is up to us to sit down every day and turn our imaginings into reality on the page. That is what we do, that is what we love, and most would have it no other way.
To increase the odds of success (ie., getting published) Writer’s Digest publishes several “market” books that are invaluable to all levels of writers. At the moment, WD is heavily discounting their 2016 “market” books and ebooks by up to 75%—a perfect time to add to your writing library. You can find them at Writer’s Digest.
See you on the next page,
A Note to my friends and followers: I will be on vacation over the next two weeks, and my plan is to unplug and disconnect during that time—I will, of course, have my pen and notepad with me so as not to miss any instants of inspiration. I will return in August. See you then.
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